Rise of the At-Risk Chinatown
(photos: police officer; Goddess of Democracy statue; Comfort Women statues)
In the 1970s, non-profits were empowering Chinatown residents to speak up. It was a crucial time. Self-Help for the Elderly, On Lok senior services, the Youth Services Center, and the Chinatown Community Development Center, still thriving today, mobilized and educated its citizens. The ensuing decades saw the end of the Chinese gangs as law enforcement stepped up with the Gang Task Force. When the gangs dissipated, thieves (not of Asian descent) from adjacent neighborhoods started attacking elderly grandmothers also referred to as “walking ATMS.” Thugs would follow an old woman exiting from a bank and demand the cash from her purse. The San Francisco Police Department intervened and wisely added a few bilingual Chinese officers on the force. Over time, the SFPD built relationships and trust with the locals so they would not feel hesitant to report such crimes.
In the 1980s and until the close of the 20th century, this historic enclave would weather more trials. Newer and trendier Asian shopping centers around the Bay Area gave local Chinese fewer reasons to visit. The Loma Prieta earthquake of 1989 collapsed the Embarcadero freeway artery that spilled into the community. The loss of this central route made it horribly inconvenient for customers to drive into the neighborhood, so they went elsewhere. Various merchants reported plummeting sales of 30 to 50 percent and higher. To make matters worse, the popularity of the Internet meant that anything offered in a Chinatown souvenir shop could be purchased online.
Newspapers labelled the area no longer relevant, but Chinatown soldiered on. Restaurants changed hands. Children of elderly shop owners took the reins out of paternal obligation. Landlords, retirement-ready, sold Chinatown’s commercial and residential interests to the highest bidder. Although family associations, politicians, and non-profits chimed in with different plans on what to do next, one thing was certain: Chinatown had to change to survive.
In the next decade, Chinatown boldly asserted itself. Chinatown sculptures would take social-political stands. At Portsmouth Square, the torch-wielding Goddess of Democracy looks oddly familiar. Dedicated in 1994, the bronze replica is based on the statue created during the 1989 Tiananmen Square student protest in China. At St. Mary’s Square, the Comfort Women memorial shows three young women, representing the Philippines, Korea, and China, holding hands as an elderly Asian woman helplessly looks on. The statue honors the tens of thousands of women forced into sex slavery to serve the Japanese soldiers before and during WWII.
Rise of the At-Risk Chinatown
(photos: police officer; Goddess of Democracy statue; Comfort Women statues)
In the 1970s, non-profits were empowering Chinatown residents to speak up. It was a crucial time. Self-Help for the Elderly, On Lok senior services, the Youth Services Center, and the Chinatown Community Development Center, still thriving today, mobilized and educated its citizens. The ensuing decades saw the end of the Chinese gangs as law enforcement stepped up with the Gang Task Force. When the gangs dissipated, thieves (not of Asian descent) from adjacent neighborhoods started attacking elderly grandmothers also referred to as “walking ATMS.” Thugs would follow an old woman exiting from a bank and demand the cash from her purse. The San Francisco Police Department intervened and wisely added a few bilingual Chinese officers on the force. Over time, the SFPD built relationships and trust with the locals so they would not feel hesitant to report such crimes.
In the 1980s and until the close of the 20th century, this historic enclave would weather more trials. Newer and trendier Asian shopping centers around the Bay Area gave local Chinese fewer reasons to visit. The Loma Prieta earthquake of 1989 collapsed the Embarcadero freeway artery that spilled into the community. The loss of this central route made it horribly inconvenient for customers to drive into the neighborhood, so they went elsewhere. Various merchants reported plummeting sales of 30 to 50 percent and higher. To make matters worse, the popularity of the Internet meant that anything offered in a Chinatown souvenir shop could be purchased online.
Newspapers labelled the area no longer relevant, but Chinatown soldiered on. Restaurants changed hands. Children of elderly shop owners took the reins out of paternal obligation. Landlords, retirement-ready, sold Chinatown’s commercial and residential interests to the highest bidder. Although family associations, politicians, and non-profits chimed in with different plans on what to do next, one thing was certain: Chinatown had to change to survive.
In the next decade, Chinatown boldly asserted itself. Chinatown sculptures would take social-political stands. At Portsmouth Square, the torch-wielding Goddess of Democracy looks oddly familiar. Dedicated in 1994, the bronze replica is based on the statue created during the 1989 Tiananmen Square student protest in China. At St. Mary’s Square, the Comfort Women memorial shows three young women, representing the Philippines, Korea, and China, holding hands as an elderly Asian woman helplessly looks on. The statue honors the tens of thousands of women forced into sex slavery to serve the Japanese soldiers before and during WWII.
Rise of the American Born Chinese
(photos: Grant Avenue follies dancers; Sun Yat-sen statue)
Freely embracing American culture, Chinese entered the entertainment business. Chinese American nightclubs sprang up in Chinatown and on the outskirts with Chinese crooners whose voices reminded guests of Frank Sinatra. The most illustrious, the Forbidden City, boasted dancing and variety shows until the wee hours. Hollywood’s top stars, including comedian Bob Hope and movie star Ronald Reagan, flocked to see tuxedo-ed singers, costumed dancers, female impersonators, and comics who entertained in perfect English.
Shows mirrored the American stage and Silver Screen -- Larry Chan was billed as the Chinese Bing Crosby; dance team Dorothy Toy and Paul Wing were the equivalent of an Asian Fred Astaire and Ginger Rogers; Colleen Li Tei Ming sang Irish ballads. The Forbidden City was so popular that non-Chinese clamored to showcase their talents by taking on Chinese stage names. The glory days, from the 1930s to 1960s, delivered four decades of rare memories for artists and patrons.
Meanwhile, Chinese immigrants were keeping close tabs on their beloved homeland. Dr. Sun Yat-Sen, founder of the Kuomintang political party with a pro-democracy platform, won supporters in Chinatown. He was so revered that the Chinese in San Francisco and many other U.S. cities freely gave funds to his cause to overthrow ancient dynastic rule. In honor of the first president of the Republic of China and Dr. Sun Yat-Sen’s visit to San Francisco, businesses commissioned a statue of him in 1938, which still stands today in St. Mary’s Square on California Street.
Rise of the American Born Chinese
(photos: Grant Avenue follies dancers; Sun Yat-sen statue)
Freely embracing American culture, Chinese entered the entertainment business. Chinese American nightclubs sprang up in Chinatown and on the outskirts with Chinese crooners whose voices reminded guests of Frank Sinatra. The most illustrious, the Forbidden City, boasted dancing and variety shows until the wee hours. Hollywood’s top stars, including comedian Bob Hope and movie star Ronald Reagan, flocked to see tuxedo-ed singers, costumed dancers, female impersonators, and comics who entertained in perfect English.
Shows mirrored the American stage and Silver Screen -- Larry Chan was billed as the Chinese Bing Crosby; dance team Dorothy Toy and Paul Wing were the equivalent of an Asian Fred Astaire and Ginger Rogers; Colleen Li Tei Ming sang Irish ballads. The Forbidden City was so popular that non-Chinese clamored to showcase their talents by taking on Chinese stage names. The glory days, from the 1930s to 1960s, delivered four decades of rare memories for artists and patrons.
Meanwhile, Chinese immigrants were keeping close tabs on their beloved homeland. Dr. Sun Yat-Sen, founder of the Kuomintang political party with a pro-democracy platform, won supporters in Chinatown. He was so revered that the Chinese in San Francisco and many other U.S. cities freely gave funds to his cause to overthrow ancient dynastic rule. In honor of the first president of the Republic of China and Dr. Sun Yat-Sen’s visit to San Francisco, businesses commissioned a statue of him in 1938, which still stands today in St. Mary’s Square on California Street.
老字號的美食、濃厚的中華文
化特色展演、中西合璧的歷史建築
、店具人情味的社區關懷、見證第一代華人移民辛酸的散房公寓、別具一格的教會氛圍一舊金山華埠(Chinatown) 的一個個時代標誌,給本地居民和外來遊客都留下了深刻的印象。華裔作家陳秀芳與白人攝影師埃文斯 合力創作的英文版新書「芍金山華埠」,讓人不出門 , 就能透過200頁的圖文解說 ,完
整地領略到整個華埠的風土人情。
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When Dick Evans and Kathy Chin Leong began exploring Chinatown for their new book, “San Francisco’s Chinatown,” with a goal to provide an insider’s look at the famed neighborhood, Leong was struck instead by what she saw was fading. Leong grew up in the Sunset District and was in Chinatown every weekend and through the summers, visiting her grandmother . . .
"Scenes From Chinatown"
As a child growing up in San Francisco, I knew Chinatown innately. It was where my mother would shop for glistening, bronzed roast ducks for dinner; where my dad would pop into a bakery to pick up strawberry chiffon cake in a pink box; where we’d get our fill of dumplings at cacophonic dim sum parlors; and where I’d joyfully run up the iconic wide spiral ramp of the landmark Empress of China . . .
In Focus. Brilliantly illustrating life in one of the country’s most culturally significant neighborhoods, San Francisco’s Chinatown ($40) is a documentary photography book worth sharing year-round. Local photographer Dick Evans captures scenes of everyday life . . .
"The Time To Worry About Chinatown"
agodas, lanterns, and, if you’re there on the right occasion, dragon and lion dancers — San Francisco’s Chinatown is a surprising delight in the heart of the city. The neighborhood’s extravagant facade not only entertains out-of-towners as San Francisco’s . . .
"Upcoming ‘Universal Languages’ art exhibition ‘celebrates our world of many cultures’''
A new art exhibit is coming to the Little Gallery inside Kidder Hall at Oregon State University from Nov. 1 to Dec. 17 that will represent the universal aspects of humans.
The exhibition, which is called “Universal Languages—Paint, Print and Photography,” will be open to visitors Monday through Friday from 8 to 5 p.m. starting Nov. 1. . . .
''New Chinatown Book Explores Neighborhood's Journey From Shame to Celebration''
San Francisco Chinatown is one of the city’s most contradictory places. The neighborhood draws more tourists every year than the Golden Gate Bridge, yet most of its residents live in rundown SROs, and Chinatown's median household income is barely a fourth that of the San Francisco average. But these contradictions and cultural backstories are ...
本報記者張曼琳三藩市報道
新出版的開影紀線書夭用令人旺月一新的
影象以及文字, 將三灣市華埠的壓史、文花、
旅遊了和偽統介紹給讀袁,這部畫出《經約時
報》丘店北奏人雇秀考以及凜長三灣市胡凶的壩影師埃文萊人台作完成 ,向讀青展現出一個在所難
中 ,仍健保有千任的研埠社屠。
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There are few places in the world that consistently draw artists and writers, and we’re lucky enough to live in one of them. That also means you need not look far for the perfect literary gift. Here are some of the best titles by local authors that were released in 2020, and what our critics had to say about each . . .
"Dick Evans and Kathy Chin Leong : San Francisco's Chinatown"
This close-up look at the oldest Chinatown in North America brings readers to a deeper understanding of this iconic destination. Evan’s images capture the diversity and humanity of the densest urban neighborhood west of Manhattan. Leong’s concentrated profiles of select Chinatown resilience . . .
''Celebrate Lunar New Year with a tour of Chinatown’s murals''
A new year on the Chinese calendar arrives Feb. 1, but for many in San Francisco’s Chinatown, the pandemic forecasts a certain 2021 deja vu. As it has with the rest of the city, COVID has thinned the bustling crowds that previously made navigating these hilly streets like swimming up a river of salmon . . .